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Of Steeds and Stallions

This artist’s passion for horses is reflected in the restrained power of her paintings

Mussarat Masters has an abiding passion for horses; but you’re not likely to find her at the racecourse. She will most likely be tucked away at her studio in Salisbury Park, recreating their power and beauty in inimitable paintings, oils on canvas.

Artist Mussarat’s engagement with creative art makes an inspiring story. She trained as a commercial artist at the Abhinav Art College, Pune, then lived in Iran with her architect husband. There she had a full-time job as a graphics artist with AT & T. On returning to India, she felt the urge to turn from commercial to creative art. She began her creative career by making hand painted greeting cards, which she sold for just Rs.2/- each.

She has fond memories of those days – of how the money didn’t matter, of how much joy and satisfaction those little cards gave her. Today she advises anyone, young or old, who is at the threshold for any new venture, “Never underestimate the value of small beginnings. Traveling that road is absolutely essential. Without small things, there can be no big achievements.”

She also adds optimistically “Who knows what wonderful experiences await us in future? But the foundations must be worked on first … thoroughly, without a pressing thought for quick success.” And that’s really the secret behind Mussarat’s standing as an artist today.

At 38, with her children grown up and quite independent, she studied fine art at the SNDT College for women. Even at middle age, still studying art, she felt unhurried, and unharried for success. She says, “For me, it was important to go into the depths of the art.”

Today her large paintings of horses are much appreciated in Mumbai and Dubai, and she is planning an exhibition in the U.K. in the near future. In the last 12 years, her creative work has progressed in leaps and bounds.

In the early part of this period she produced excellent studies of birds, and some imaginary landscapes, the latter being suffused by an ethereal, almost spiritual, light. Later, she did studies of horses, which have evolved from charming realistic ones to dynamically abstract pieces, which blur the equestrian forms, but capture the fascinating, graceful movements.

Mussarat draws powerful sweeping lines across her canvas, which criss-cross to create an irregular, geometric patchwork. Each segment in this net is painted in enchanting colours, almost magical in their appeal. Each colour is painted with great care, keeping in mind how it will harmonise with the whole painting.

Slowly, in this maze of flowing lines and beautiful colours, one discovers the heads and bodies of horses, and their impassioned riders, the jockeys. Mussarat succeeds eminently in capturing the powerful beauty of these animals; perhaps the most dignified and graceful among the creatures that inhabit this planet. And sometimes her painting seems to celebrate, not just horses, but a great energy flowing through the whole universe…

- Shabnam

 
 
Her Work is Worship

Artistic inspiration and spiritual belief go hand-in-hand, for this artist

“It is said that music draws people closer to God. For me, it is my paintings that bring me closer to him,” says Seema Rathi who adroitly manages to give Ganesha a contemporary quality without compromising on the traditional aspect of her work. With Indian mythology as the basis, the elephant god is captured on canvas, paper, and silk using several themes like the Zodiac, music, shastra, and dance among others.

Not long ago, Seema painted Ganeshas on canvas and gifted them to her friends, as a hobby. This soon evolved into a full-fledged vocation. These days Pankaj Buradkar assists her in her work and he deftly translates her ideas on to paper and canvas using acrylic colour and fabric paint. Bringing together her belief in astrology and spiritual faith in Ganesha, she hit upon the idea of portraying the God blessing the Zodiac signs. She consulted an astrologer who gave her the exact Sanskrit shlokas and the lucky colours of the Zodiac. “Usually the colour of Ganpati’s pitambar (dhoti) is yellow. However I decided instead to use the colours associated with each rashi in my paintings,” she explains, pointing to the twelve Zodiac signs with the God wearing a different pitambar in each.

Interestingly, Seema seeks to counter superstition with her art. Her ‘Navrasa’, which has Ganesha portraying the nine expressions in dance form, opposes the common belief that an image of a dancing Ganesha makes its owners ‘dance all their life’. “Shiva and his son Ganesha were exceptional dancers and are the inspiration for the dance and musical themed paintings. I have depicted Ganpati playing traditional musical instruments like the tabla, harmonium, harp, flute, ektara and sitar. He is so mesmerised by his own music that everything else fades away,” she explains. Through her ‘Shastra Ganesha’ illustrations she has also portrayed Lord Shiva executing his fatherly duties towards young Ganesha. Here her paintings depict Shiva teaching Ganpati how to use weapons like the sudarshan chakra, trishul, bow and arrows, and the mace.

Seema also paints abstracts and crafts murals and idols. Her other speciality is Tanjore-style paintings of Hindu deities like Ganesha, Durga, Balaji among others using 24-carat gold foil and semi-precious stones. Her work has found many takers in India and abroad. “When people come up to me and say that they have never seen anything like this before, I feel very pleased. It is so satisfying to be complimented on the planning and execution of one’s ideas. My creativity is given voice through my art. I would like people to experience joy when they see my work. They should forget their worries and problems and enjoy Ganpati in his different antics, expressions and ways,” she says with a smile.

Seema Rathi can be contacted on 9823040055 or at
Saguna Smrudiniwas, 285/14,
Koregaon Park Road,
Opp. Bund Garden Water Pumping Station, Pune- 411 001.

- Khursheed Dinshaw